On October 29th, 2016 I made a pilgrimage of sorts from Kyoto to Sohonzan Zentsu-ji Temple on Shikoku. Through serendipity I had discovered that this Temple was where Kukai (posthumously named Kobo Daishi), the founder of Esoteric Shingon Buddhism in Japan, was born and grew up. The five elements of earth, fire, water, wind and void are an essential part of the teachings and practices of Shingon buddhism. As Zentsu-ji Temple has been identified as one of the top three temples associated with Kobo Daishi (the others being the Koyosan complex and Toji Temple, both on Honshu, both of which I have visited) I decided that catching three trains each way was worth the effort. It was an effort very well rewarded.
The Teshima Art Museum provides an organic setting where water, wind, wood and light are works of art. I learnt about this enticing concept from a French couple I met in Japan in mid 2016. Sibylle and Bernard called it the Raindrop Museum – an evocative description. They were close to the mark. The brief given to the architect Ryue Nishizawa and artist Rei Naito was to create a design of free curves, echoing the shape of a drop of water. Knowing my interest in the elements, my French friends strongly recommended that I make the Museum a priority to visit. So in early October that’s what I did. The Museum has other attractions – its location on an island in the Seto Inland Sea provides an experience of some of the coastline, waterways and islands of Japan, an important part of the elemental story. The Art Museum is also a major draw-card of the Setouchi Trienniale, an art festival designed to reinvigorate local communities that has many lessons to teach us.