In July 2022 the famous Gion Festival in Kyoto was held for the first time in three years due to the COVID pandemic. The roots of the month-long festival originate in 869 AD when people were suffering from a terrible pestilence. For more than 1100 years the Festival has survived many natural and man-made disasters. It is seen as a great symbol of sustainability and the enduring human spirit. July 24th, the day of the second 2022 Gion float parade, coincided with a Zoom event where I shared stories from my eclectic and extensive library of ‘Things Japanese’. My library includes a selection of physical and digital publications, photographs, mementos and experiences guided by the relationship between nature and people in Japan, through the lens of nature’s elements and two five element cosmologies. This was the fourth event in an ongoing series where Writers in Kyoto (WiK) members share their libraries (the first three events were held in physical libraries, not a virtual one). My Zoom presentation described the genesis, evolution and use of the library intertwined with my increasing engagement with Japan. It featured stories and lessons learnt through selected publications (including my own) and the people and experiences related to them. This post draws on the Zoom event, includes links to relevant sources (bolded), and incorporates additional material based on my reflections and questions asked by the audience. There are many stories to tell, so grab your favourite beverage and settle in.
Five years ago today I hit the ‘Publish’ button on my first post about Elemental Japan. Titled ‘A story waiting to be told‘ the post introduced and set the context for my upcoming travels to and within Japan where the prime focus would be on the elements. With my travel companion Suki (a soft toy dog) by my side, and a mind map and copious notes at hand, an incredible and life-changing journey was about to begin. Reflecting on the last half decade – the places visited in Japan, the friendships made, the experiences experienced, the blog posts written – provides an opportunity to share the lessons learnt and look to the future. It is a milestone worth celebrating and contemplating. There is a lot to cover, so find your favourite reading spot, grab a drink if you so desire, and enjoy this story about Elemental Japan…so far.
Yinyang – an ancient Chinese philosophy of balance, harmony and vital energy – was transmitted to Japan via China and Korea around 1500 years ago. Translated as inyo, onmyo or onyo in Japanese, the philosophy of yinyang, often combined with the five phases/elements (C. wuxing; J. gogyo) of Earth, Water, Fire, Wood and Metal, has permeated Japanese culture. For nearly 1200 years the imperial Bureau of Yinyang (J. Onmyoro) – unique to Japan – practiced divination, astromancy, geomancy (J. fusui), pacification of angry spirits, omenology and more. Renewed popular interest in the ‘Way of Yinyang’ (Onmyodo) focuses on the ‘wizards’ who practiced these magical arts. Yet there is more to yinyang in Japan. Much much more. Using the coronavirus lockdown to delve into the energy of nature and the universe, through the lens of yinyang, has been uplifting and enlightening.
The gorinto is fundamental to my explorations of Elemental Japan. Composed of stacked geometric forms that represent earth, water, fire, wind and space this Buddhist monument embodies the interconnectedness of all creation in tangible form. It has deep spiritual symbolism and significance. Largely found as a grave marker in contemporary Japan, the gorinto has a long association with meditation, medicine, memorials, martial arts and use as a reliquary. In modern times the beautifully balanced and striking form of the gorinto has seen the imagery and elemental connections adopted more widely. From Koyasan – the Shingon Buddhist pilgrimage site that is the ‘home’ of the gorinto – to Kyushu, Kamakura, Zentsu-ji and beyond, my fascination with this form has taken me across the length and breadth of Japan, as well as tracking down related material wherever I can.
Ninja are immediately recognisable in the west, their imagery and behaviour in most cases only loosely based on the original Japanese qualities. Movies, TV series, comics, video games and a whole world of merchandise demonstrates the continued interest in these mysterious action heroes. Not surprisingly my interest in the ninja is their connection to the elements. That gave me a reason to see the 2017 Lego movie ‘Ninjago‘, ostensibly a movie for children, where the elements are featured. My interest has also lead to reading translations of the original ninja manuals and sourcing other information from Japan. Comparing the different representations of the ninja (west and east, modern and traditional), the ninjutsu they practice, and their relation to the elements has been intriguing – and complicated. These are my impressions so far.