Earthquakes and national (Japanese) character

Lafcadio Hearn changed the way the west viewed Japan when he lived there between 1890 and 1904. Over that period he wrote several books and articles in English, most famously his 1894 publication ‘Glimpses of Unfamiliar Japan‘ which is still in print. Less well known is an editorial he also published in 1894 (for the Kobe Chronicle) titled ‘Earthquakes and national character‘. Hearn, like me, had an interest in the relationship between people and nature. And like me, he pondered the connection between the frequent natural ‘disasters’ in Japan and the character and culture of people who live in such a changing and unpredictable environment. Earthquakes, tsunamis, volcanoes, floods, fires, snowstorms and typhoons are all expressions of the elements at their most forceful and energetic. For me they ‘set the scene’ for my exploration of elemental Japan.

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Kyushu, Land of Fire

Visiting Kyushu, the most south-western of Japan’s main islands, is on the top of my itinerary when I next travel to Japan (written in December 2016). It is a very elemental place. Kyushu is known for its active volcanoes, lava beaches and hot springs. The 2016 Kumamoto earthquake captured the world’s attention and highlighted the unstable nature of the island.  Both Kumamoto and Kyushu are referred to as the ‘Land of Fire’. The origin of that name was an eye-opener for me, as is the fascinating history of the island called ‘The Gateway to Japan’. I am delighted to say that I was able to spend 3 weeks in Kyushu in June 2017. After introducing Kyushu, some photographic impressions of that wonderful time are shared below.

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Time for more tea

My post ‘Taiko and tea’ shares my first impressions about the relationship between tea and the elements in Japan. My concluding comments were ‘Five elements and six senses. A heady mix.’ Since then I have had many more opportunities related to tea, thanks mostly to Allan Halyk, a Urasenke Tea Master based in Hobart. In October 2016 I spent 10 days in Japan with Allan, two of his students and a friend. We walked many miles in Osaka, Kyoto and Uji to immerse ourselves in tea. It helps to be with those who are familiar with the way.

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The power of the five elements

On October 29th, 2016 I made a pilgrimage of sorts from Kyoto to Sohonzan Zentsu-ji on Shikoku. Through serendipity I had discovered that this Temple was where Kukai (posthumously named Kobo Daishi), the founder of Esoteric Shingon Buddhism in Japan, was born and grew up. The five elements of earth, fire, water, wind and space are an essential part of the teachings and practices of Shingon Buddhism. As Zentsu-ji has been identified as one of the top three temples associated with Kobo Daishi (the others being the Koyasan complex and Toji Temple, both on Honshu, both of which I have visited) I decided that catching three trains each way was worth the effort.  It was an effort very well rewarded.

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Elements on tour

The Teshima Art Museum provides an organic setting where water, wind, wood and light are works of art. I learnt about this enticing concept from a French couple I met in Japan in mid 2016. Sibylle and Bernard called it the Raindrop Museum – an evocative description. They were close to the mark. The brief given to the architect Ryue Nishizawa and artist Rei Naito was to create a design of free curves, echoing the shape of a drop of water. Knowing my interest in the elements, my French friends strongly recommended that I make the Museum a priority to visit. So in early October that’s what I did. The Museum has other attractions – its location on an island in the Seto Inland Sea provides an experience of some of the coastline, waterways and islands of Japan, an important part of the elemental story. The Art Museum is also a major draw-card of the Setouchi Trienniale, an art festival designed to reinvigorate local communities that has many lessons to teach us.

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Returning to the elements

October 1st 2016 marked the first day of my return trip to Japan to continue my exploration of the elements. In contrast to my last visit when I was based in Kyoto (see my first 8 posts) this time I am on the move! I have identified a number of places and traditions with specific connections to the elements to visit and interact with over the next two months. And then there are those delightful serendipitous opportunities that seem to arise quite often.

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Japan – a destiny drawn by nature

A destiny drawn by nature‘ is the first chapter of a book titled ‘The Dawns of Tradition‘, published by the Nissan Motor Company in 1983. I knew that this publication was an important discovery when I read the introductory words “Even more than most peoples, the Japanese have been shaped by their environment. From the dawn of their history, close communication and an oftentimes precarious coexistence with nature have dominated almost all aspects of the national character and culture.” Viewing Japanese culture through the lens of the environment (in my case using the elements as a framework) is also the focus of my book and blog on elemental Japan. While the approaches taken differ in many ways, the basic sentiment is the same.

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Taiko and tea


The tea ceremony and taiko are both quintessentially Japanese. You could say they represent two ends of a spectrum of formality, from a refined, elegant ritual to rousing, energetic (and very loud) performances. Over the last few days I have experienced taiko as a player and audience member and visited Daitoku-ji Temple, a centre for the tea ceremony. As well as their connection to the elements, what has struck me about tea and taiko is the range of senses they engage. It is a timely reminder that elemental Japan captivates all of our senses.

A Japanese sweet served before matcha (powdered tea). The spiral represents a water ripple. The elements are everywhere in Japan.

A Japanese sweet served before matcha (powdered green tea). The pattern and colours represent a water ripple. Just in this image you can see earth, metal, water and wood.  The elements are everywhere in Japan.

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Being careful of fire, Kyoto style

One of the most ubiquitous elements I have noticed as I walk around the streets of Kyoto is fire. It is expressed in many forms. There are ways and means to avoid, dampen and fight fire if it breaks out. The use of fire in purification rituals and festivals is also a feature. One of the more well known is the spectacular display in August when six large kanji on the hills of Kyoto are set ablaze. From the red fire buckets and extinguishers in the streets, to the ‘Fire’ brand of coffee sold by Kirin, reference to the powerful force of fire is seemingly everywhere in Japan’s ancient capital. While many refer to Kyoto as the ‘City of Water’, in my minds eye it is the ‘City of Fire’.

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Feel the energy

The subtitle of the book that I’m writing on elemental Japan was originally ‘the energy of a nation’. I chose these extra explanatory words carefully, words that would best portray the essence of the elemental story of Japan. From the energy of the powerful natural forces that have literally shaped the island nation, to expressions of ‘ki’ (the life-force or flow of energy that sustains living beings) – I feel that understanding energy is key to understanding the elements in Japan. In November 2016 I changed the subtitle of the book to ‘Feel the energy’, the title of this post. On reflection it sits better with the intent of my explorations, inviting readers to engage personally with the elements.

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