The Teshima Art Museum provides an organic setting where water, wind, wood and light are works of art. I learnt about this enticing concept from a French couple I met in Japan in mid 2016. Sibylle and Bernard called it the Raindrop Museum – an evocative description. They were close to the mark. The brief given to the architect Ryue Nishizawa and artist Rei Naito was to create a design of free curves, echoing the shape of a drop of water. Knowing my interest in the elements, my French friends strongly recommended that I make the Museum a priority to visit. So in early October that’s what I did. The Museum has other attractions – its location on an island in the Seto Inland Sea provides an experience of some of the coastline, waterways and islands of Japan, an important part of the elemental story. The Art Museum is also a major draw-card of the Setouchi Trienniale, an art festival designed to reinvigorate local communities that has many lessons to teach us.
October 1st 2016 marked the first day of my return trip to Japan to continue my exploration of the elements. In contrast to my last visit when I was based in Kyoto (see my first 8 posts) this time I am on the move! I have identified a number of places and traditions with specific connections to the elements to visit and interact with over the next two months. And then there are those delightful serendipitous opportunities that seem to arise quite often.
‘A destiny drawn by nature‘ is the first chapter of a book titled ‘The Dawns of Tradition‘, published by the Nissan Motor Company in 1983. I knew that this publication was an important discovery when I read the introductory words “Even more than most peoples, the Japanese have been shaped by their environment. From the dawn of their history, close communication and an oftentimes precarious coexistence with nature have dominated almost all aspects of the national character and culture.” Viewing Japanese culture through the lens of the environment (in my case using the elements as a framework) is also the focus of my book and blog on elemental Japan. While the approaches taken differ in many ways, the basic sentiment is the same.
Japan is a land of forests. Sixty seven percent of the country is covered with trees, only second behind Finland when ‘developed’ nations are compared. Currently the forests are vibrant and green, you can’t help but notice them on the mountains and in the Shrine and Temple forests as you travel around. Both mountains and trees are worshipped in Japan to varying degrees. Given the abundance of forests it is not surprising that wood and related materials play such an important cultural role. This is the element that has particularly caught my attention during late June and early July. Here are my impressions, once again a diverse mix. The many connections between wood and fire demonstrates the inter-relatedness of the elements. As always with these informal posts, it is only part of the story.
It’s the fourth week of June and it is the rainy season in Japan. The season is known as Tsuyu, meaning “plum rain”, because it coincides with the season of plums ripening. It is hot, sticky and very wet at times. It also means long days, vibrant vegetation, misty mountains, rice fields in flood, hydrangeas, the refreshing of water supplies and more. As you might expect, my thoughts over this period have turned to the element of water. I am using illustrations to help tell this part of the story of elemental Japan.
The tea ceremony and taiko are both quintessentially Japanese. You could say they represent two ends of a spectrum of formality, from a refined, elegant ritual to rousing, energetic (and very loud) performances. Over the last few days I have experienced taiko as a player and audience member and visited Daitoku-ji Temple, a centre for the tea ceremony. As well as their connection to the elements, what has struck me about tea and taiko is the range of senses they engage. It is a timely reminder that elemental Japan captivates all of our senses.
One of the most ubiquitous elements I have noticed as I walk around the streets of Kyoto is fire. It is expressed in many forms. There are ways and means to avoid, dampen and fight fire if it breaks out. The use of fire in purification rituals and festivals is also a feature. One of the more well known is the spectacular display in August when five large kanji on the hills of Kyoto are set ablaze. From the red fire buckets and extinguishers in the streets, to the ‘Fire’ brand of coffee sold by Kirin, reference to the powerful force of fire is seemingly everywhere in Japan’s ancient capital.
Japan is a land of mountains, the most iconic, recognised and depicted being Mt Fuji. Formed from volcanoes and tectonic activity, the mountains are clothed in forest. They influence the weather and form catchments that provide water for life on the plains. Plains where most Japanese live and rice, the basis of the traditional diet, is grown. Earth, fire, water, wind, wood – the mountains are a significant feature of elemental Japan. It is no wonder that they are considered sacred and are a focus of spiritual activity.
The subtitle of the book that I’m writing on elemental Japan was originally ‘the energy of a nation’. I chose these extra explanatory words carefully, words that would best portray the essence of the elemental story of Japan. From the energy of the powerful natural forces that have literally shaped the island nation, to expressions of ‘ki’ (the life-force or flow of energy that sustains living beings) – I feel that understanding energy is key to understanding the elements in Japan. In November 2016 I changed the subtitle of the book to ‘Feel the energy’, the title of this post. On reflection it sits better with the intent of my explorations, inviting readers to engage personally with the elements.
A week has passed since I wrote my first post. Over that period I have come across many expressions of the elements in Japan. The following ten brief examples, all experienced in the last seven days while in Kameoka, Japan, illustrate some of the diverse pieces in the puzzle that constitute Elemental Japan. The exciting challenge will be piecing them together into an engaging story that adds value to the voluminous material available on Japan. As my introductory post noted, I feel that it is a story waiting to be told.